Special Air Travel Post
After a few airports and around 15k images on several projects I’m back on solid ground-not to mention stable internet connection.
Some planes and airports shot during my run around…. click for larger…
Blog of macdyphoto.com
One of Canon USA’s Explorer of Light, Stephen Wilkes finished a project called NYC Day to Night. Photographer Wilkes stayed put in one location for hours to shoot the frames needed to do a proper composite of New York city turning, well, from day to night. Looks and sounds easy but imagine the hours and hours of shooting and then shifting through hundreds of frames of photos just to choose the proper exposure for 1 composite image.
As Wilkes puts it: “I imagined changing time in a single photograph. Using this new technology, I’ve been able to express this fascination through a new series of photographs: “Day to Night”. I photograph from a fixed camera angle continuously for up to 15 hours, throughout the “Day to Night”. A select group of images are then digitally blended into one photograph, capturing the changing of time in a single frame.” -from Gizmodo.
The photographs will be on view in New York City’s Clamp Art Gallery from September 8th to October 29th.
Good stuff! Go to Stephen Wilkes site and head on over to the fine art link for more of Day to Night and other beautiful photographs, particularly like his China-Old and New series.
This shoot was for a catalog being distributed in US market for assorted baskets.
There was minimal fuss in a hotel room with the chefs taking care of the food. Bringing in 2 duffel bags worth of assorted lighting gear was a bit too much. After some test shots with a combo of ambient room lighting and a fully open window only 2 580 EX II Speedlights were used. The shoot was done in under 8 hours with 2 cameras tethered to a Mac. The images were used for both print and website usage.
Here’s something fun to start off the week.
Just the Two of Us (and Ken Jeong)
When you and your bodacious girlfriend (who, if you’re lucky, looks like Kate Upton) jet off for a summer romp, pack a bag full of slimmed-down cords—and not much else. You’ll look sexy, and she’ll keep those starry eyes locked on you—even if you get photo-bombed by funnyman Ken Jeong
Photographs by Peggy Sirota
Been sick and working and thus the absence of any new post the past week. Things have gotten better and posting duties will continue…
Instructions from the church coordinator were: photographers and videographers must not stand in the Chancel (In church architecture, the chancel is the space around the altar in the sanctuary at the liturgical east end of a traditional Christian church building. It may terminate in an apse. -Wikipedia) area. Ok then I thought, Heidi and Mel will never ever have a photo of themselves kneeling in front of the priest listening to the sermon or saying their vows. Since I doubt the couple will ever go through this again- with utmost respect and good intentions, there just had to be some shots coming from that area.
I slowly inched closer to the off-limit area but surely my tall build didn’t help much as everyone in the church noticed this photographer doing what he wasn’t supposed to. But in hind sight, it was well worth it.
There are just too many features in a piece of gear to commit to memory. Lugging around some manuals aren’t the obvious answer either. Memorizing them is even more far fetched. I’ve even experienced pro shooters who did not know some basic features of a Speedlite. Be a better photog and learn the features of your gear the easy way.
The last time I wrote about Canon Quick Guides was in June of o ten. One year forward and there are more quick guides added in to the mix. There are currently 19 PDF files ready to download for print so you can stick it in your gear bag. Old and new shooters alike will benefit from these and you can download them at the Canon Digital Learning Center.
One other article that caught my attention is, A New Concept: Canon’s Zoom Fisheye Lens by Rudy Winston, a 14 year veteran of Canon USA’s Pro Products team. It’s a piece on the new EF 8-16 f/4L USM that replaces the old EF 15mm f/2.8 fisheye. The EF 8-16 is designed to work with all the sensor sizes (full frame, 1.3x and 1.6x) to get the extreme view just in case you have the EOS 5D MK II, EOS 7D and EOS 1Ds. From some of what I’ve read from photogs who have the new fisheye this is one fun expensive lens to have.