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Finally, a new post.
How many of you still have the Canon EOS 50D and still love to shoot with it? This is the very last model in the xxD line without video and still made out of a metal frame but a camera this old will start to show its quirky nature. First it was the shutter button assembly failure. Brought it to canon and it was replaced within a day.
Now, when 2 fresh batteries (BP-511A) are loaded into the battery grip they would not last a day. The top LCD would start doing the blinking low battery dance. Or in some instance a recharged BP-511A are loaded and the camera does not turn on. Sound familiar?
Do not panic. There is probably nothing wrong with the BP-511As. Nor the 50D itself. But the internal clock battery has dried up and needs replacing. The CR-2016 can be purchased in most stores that supply wrist watch batteries.
First, make sure the 50D is turned off. If a battery grip is attached, take out the BP-511As and detach the grip. Look into the 50D battery compartment and there is a little tiny plastic plate with a CR-2016 engraved on it.
Make sure the brand spanking new CR-2016 is right where you need it. Once this is removed date and clock will revert to 0. Don’t worry continuous file numbering will not reset.
Then, by pressing on the grooves with a finger slowly slide out the battery panel. The little plastic battery tray should slide out with just a little bit of friction since the slot has not been moved for years. Then remove the dead CR-2016 and put in the fresh one. + goes on the side facing the BP-511A chamber. Battery brand will not be crucial to breathing new life into the camera. Just make sure the CR-2016 are new stock.
Then slide the little tray all the way back inside the slot. Insert the BP-511A into the battery compartment and, close and lock the compartment door. Turn on the camera and the adjust date and time screen will magically appear. Set to the appropriate time zone and the old EOS 50D will have another few years to go.
That is it. Simple, easy and without problems.
Week Ender 89
There are just too many features in a piece of gear to commit to memory. Lugging around some manuals aren’t the obvious answer either. Memorizing them is even more far fetched. I’ve even experienced pro shooters who did not know some basic features of a Speedlite. Be a better photog and learn the features of your gear the easy way.
The last time I wrote about Canon Quick Guides was in June of o ten. One year forward and there are more quick guides added in to the mix. There are currently 19 PDF files ready to download for print so you can stick it in your gear bag. Old and new shooters alike will benefit from these and you can download them at the Canon Digital Learning Center.
One other article that caught my attention is, A New Concept: Canon’s Zoom Fisheye Lens by Rudy Winston, a 14 year veteran of Canon USA’s Pro Products team. It’s a piece on the new EF 8-16 f/4L USM that replaces the old EF 15mm f/2.8 fisheye. The EF 8-16 is designed to work with all the sensor sizes (full frame, 1.3x and 1.6x) to get the extreme view just in case you have the EOS 5D MK II, EOS 7D and EOS 1Ds. From some of what I’ve read from photogs who have the new fisheye this is one fun expensive lens to have.
Finally, the Canon EF 8-15mm f/4L USM will finally be released end of July 2011 with SRP of USD1,399.00 price tag. I’m sure once this lens hits Philippine shores it will be around PHP62-70,000.00. We always get a higher SRP than most countries due to import duties and VAT.
For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. With its unique focal length range, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models. It features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time. More info from Canon USA.
A Very Lucky Photographer
On another front, amazing photos on crash scare from a lucky Reuters photographer inside the plane with his family. Trading fear for photos on a stricken plane by Beawiharta, Below is an excerpt.
After that, I became calm because I was not afraid to die because we would all die together. I started to adjust my camera, which was hanging around my neck. I set the ISO higher, set the white balance, checked the battery was full and saw I had around 300 clicks for the rest of the memory card. I started to take pictures, though it was dark. I forgot my Canon EOS5dmk2 has a full HD video, so I forgot to record the situation. After 20 years living as a photographer, I was thinking as a photographer.
To start off the weekend with an awesome timelapse completely shot on a Canon EOS 5D Mark II. The views of the cities and night scapes are some of the best there is. Wait for the whole video to load and turn up the volume. Make sure to enter whole screen mode.
From Dominic Boudreault:
I shot this timelapse montage from late 2010 through early 2011.
One year in the making.
My goal was to show the duality between city and nature.
Locations include :
– Montreal, Quebec, Canada
– Quebec city, Quebec, Canada
– Toronto, Ontario, Canada
– Manhattan, New York, USA
– Chicago, Illinois, USA
You can visit my website at dominicboudreault.com
April 8-10, 2011 Taipei, Taiwan ROC
In a big white tent beside Taipei 101 sits Canon’s ImageFest 2011 in celebration of 10 years of Canon Taipei. All guest entering are required to get a free lanyard and booklet to collect 6 stamps at the different sections for a free gift (a Canon Imagefest magnet clip).
Upon entering the tent, guest are treated to displays of Canon’s fine past. Most of the displays are cameras and calculators. There were a Kwanon, Cannonet, AE, etc. on display. The main tent held six sections of Canon products. Each for the Ixus and point and shoot lines, printers, advance copiers, EOS line-photography and video gear and EF/EFS lens line up. Nothing new but lenses and bodies could be tested except there were long lines. Just like a circus there’s a center stage for shows throughout the day. A violinist and dancers in costume and stilts were performing on April 8.
Canon Imagefest Taipei was more for the uninitiated consumer than the photographer. It was interesting to see all the products in one place though. Enjoy the photos-captured with EOS 7D+EF 24-70 f/2.8. Shot RAW and converted in DPP to jpg. All the images are out of camera shots-no time for Photoshop.
Disadvantages & Advantages
This post is by no means a thorough technical investigation on the usage of camera RAW file format on the DSLR. It is simply a real world look at the disadvantages and advantages of shooting RAW.
Camera RAW files are the data captured by the image sensor and left unprocessed and uncompressed by the DSLR’s processors. Unlike jpeg files, where the DSLR’s chips processes and shrinks the image accordingly to the selected jpeg size thereby permanently compressing the RAW file. A computer software (RAW converter) is needed to process into RAW files into an actual viewable and printable image file. RAW files are the norm for many pro photographers. Unfortunately, not all. Those that do can attest to and live by the standard. Many even make a good living in shooting RAW files. Just do a quick look at any of the reputable stock image companies and all their inventory are from RAW format.
Disadvantages of Shooting RAW File Format
1. Typical file size more than 15mb. Takes up a lot of space on the cf /sd card and hard drive of computer- it becomes more expensive as external back up drives are also needed.
2. Camera RAW files not usable right out of the DSLR. RAW files will need to be post processed to some extent in software (but RAW conversion softwares are bountiful).
3. Camera RAW files need time to edit and process. Unlike jpegs that can be used immediately after shutter is pressed and uploaded to any social media of choice.
4. A fast computer is recommended for processing RAW. With 18 mega pixels as norm today on DSLR models the files get bigger and require newer computers with up to date hardware/software combo. It can become more expensive but there are some free software available.
Advantages of Shooting RAW File Format
1. RAW files are like film negatives where in all the information captured (sort of a loss-less file, if you will) from the sensor are stored on the cf/sd card unprocessed by the DSLR thereby preserving the original exposure in all it’s mega pixel glory (usually 16bit colors).
2. An otherwise unusable shot on jpeg file goes to the trash bin while if an image captured in Camera RAW format can be ‘rescued’ in post processing softwares.
3. RAW files are significantly better in dynamic range than jpeg where blown out highlights and shadows can be brought out to a certain degree.
4. Lens distortion can be corrected, chromatic aberration can be lessened and noise can be reduced without loosing too much sharpness.
7. If Canon user, RAW converter (Digital Professional Photographer) is FREE and included in box. Don’t put your hard earned DSLR to waste.
The original image below was captured using a Canon EOS 50D with a 22 year old Canon EF 28-70mm f/3.5-4.5 (1989). The 1 RAW file was then processed into the many versions with a few minutes time using Canon’s Digital Professional Photographer on an iMac.
The next set of images were from the dslr pictured above captured on the same day. Images were captured in RAW format with a Canon EOS 7D with EF 24-70mm f/2.8. All processed to jpeg with Canon’s DPP.
If these shots were captured using jpegs, undoubtedly, post processing them to be upload standard would have been a time consuming and tedious chore. But, there is really nothing wrong with jpegs as long as the images won’t be intended for scrutiny or large print somewhere down the line.
With RAW camera files, they can be stored on external drives for a very long time. While most RAW converters are upgraded eventually with better algorithm and features stored RAW files may be reprocessed again for future use.
It is highly recommended to start shooting in RAW. Much of the advantages of using RAW far outweigh the disadvantages. One day a magazine might call and ask for an image. With RAW, the options are all within a few mouse clicks.
PLUS NEW FLASHES & LENSES
LAKE SUCCESS, N.Y., February 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging, helps celebrate the achievement of a new EF lens-manufacturing milestone with the production of Canon’s 60-millionth lens, an EF 70-300mm f/4-5.6L IS USM.
First introduced in March 1987, along with Canon’s EOS SLR camera system, the EF lens system has over the years featured a range of innovative proprietary technologies to lead the industry. These include such world’s firstsi as the Ultrasonic Motor-powered lens (USM), Image Stabilizer (IS) to compensate for the effects of camera shake, Subwavelength Structure Coating (SWC) anti-reflection technology, and a super-telephoto lens that employs a diffractive optical element. Last year, Canon successfully launched the EF 70-200mm f/2.8L IS II USM, featuring outstanding optical performance and Image Stabilization.
Canon’s current EF lens lineup is comprised of 65 models ranging from super-wide-angle lenses to super-telephoto zoom lenses, catering to the varying needs of photographers from first-time users to advanced-amateurs and professionals. The Company’s diverse selection of lenses offers several features including a number of zoom options ranging from standard to super-telephoto, Image Stabilizer-equipped lenses, large-diameter lenses, macro lenses and TS-E lenses featuring a special tilt-shift mechanism allowing manipulation of image perspective and distortion. In addition, the EF 8-15mm f/4L Fisheye USM, the world’s firstii fisheye zoom lens, is planned for market release in March of 2011.
Canon will continue to proactively introduce innovative technologies, striving to provide superlative image quality and reliability in lens production.
Canon Empowers The Masses To Take Better Photographs And Video With The New EOS Rebel T3i And EOS Rebel T3 Digital SLR Cameras
Two New Speedlites and a New EF-S Lens Round Out the Photographic Journey
LAKE SUCCESS, N.Y., February 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging, today announced the EOS Rebel T3i (EOS 600D) and EOS Rebel T3 (EOS 1100D) Digital SLR Cameras, providing numerous intelligent high-end features at attractive price points. Complementing the award-winning EOS Rebel T2i DSLR, the EOS Rebel T3i, Canon’s new flagship Rebel, offers fun and easy-to-use features for beginning photographers, and the EOS Rebel T3 provides a more attractively priced option for those looking to experience the pleasure of shooting with a DSLR camera. For the young enthusiast learning photography or the adult looking to learn more, Canon’s new Feature Guide instruction will walk Rebel T3i users through functions and provide recommendations for various settings, a great hands-on learning tool. Point-and-Shoot users looking to step-up to a DSLR will enjoy the T3i camera’s Scene Intelligent Auto mode, the most intuitive automatic camera mode available in a Canon Rebel camera to date, providing complete scene analysis and optimized settings. One of the most sought-after and requested features for a DSLR camera is now part of the new EOS Rebel T3i, Canon’s three-inch Vari-Angle Clear View LCD screen, ideal for properly composing those difficult overhead shots. Comfortable, lightweight and affordable, Canon’s new EOS Rebel T3 is a great camera to welcome users to the world of DSLR photography.
“Everyone today is a photographer, and for those looking to capture stunning images and do more with photography, Canon has introduced the EOS Rebel T3i and T3, offering the right balance of high-end features and easy-to-use guidance at a great price. So regardless of experience level or budget, there is a Canon Rebel camera suited to a user’s needs and lifestyle,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
The Canon EOS T3i (EOS 600D) Digital SLR camera is scheduled to be delivered to U.S. dealers in the beginning of March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s new EF-S 18-55mm f/3.5-5.6 IS II zoom lens at an estimated retail price of $899.99. It will also be available in a second kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1099.00.
The Canon EOS Rebel T3 (EOS 1100D) Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of March, and will be offered in a kit with Canon’s new EF-S 18-55mm f/3.5-5.6 II zoom lens at an estimated retail price of $599.99.
Along with these DSLR cameras, Canon is also introducing a new kit lens, the EF-S 18-55mm f/3.5-5.6 IS II zoom lens, the standard kit lens for both the Rebel T3i kit configuration and the Rebel T3 kit configuration.
The new EF-S 18-55mm f/3.5-5.6 IS II zoom lens features the wide-angle to mid-range zoom flexibility with the advantage of Canon’s optical lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The version II of this lens includes new IS algorithms to distinguish between normal photographing and when the camera is panning to automatically provide the optimal level of image-shake correction.
New Canon Speedlite 320EX and Canon Speedlite 270EX II
The new Canon Speedlite 320EX is designed to provide DSLR users with a lightweight and versatile external flash solution. Along with the new Speedlite 320EX regular flash functions, it includes a built-in LED continuous light option that is capable of providing full-time illumination for short distances when shooting video on a DSLR or PowerShot digital camera. Ideally paired with the new EOS Rebel T3i, the new Speedlite 320EX enables bounce flash shooting with six positions including ceiling bounce for vertical shooting, and rear-wall bounce. The Speedlite 320EX also includes a new remote firing function and can remote fire any EOS DSLR camera that has a built-in wireless remote control function or Integrated Speedlite Transmitter such as the new Rebel T3i, EOS 60D, or EOS 7D DSLRs. The new Speedlite 320EX provides photographers with all the great lighting options Speedlites are known for with the added capability to shoot HD video with a full-time LED light option.
The new Canon Speedlite 270EX II, the successor to the popular 270EX Speedlite model, is a compact, lightweight external flash option for Canon cameras including select Canon PowerShot models. Ideal for use with the new EOS Rebel T3, the new Speedlite 270EX II uses only two AA batteries and enables bounce flash shooting with four position steps from 0 degrees to 90 degrees. Like Canon’s high-end Speedlite flash models, the 270EX II allows users to control flash functions and input settings using the camera’s LCD monitor. The flash also features a quick-lock mechanism and a metal mounting foot for secure and easy attachment and reliable contact. In addition to the features of 270EX model, the Speedlite 270EX II adds a remote firing function similar to that of the Speedlite 320EX. Both new Speedlites can also be used as slave flash units in E-TTL wireless autoflash configurations with other E-TTL compatible EOS and PowerShot cameras. Canon’s Speedlite 270EX II is the new compact and versatile lighting tool for photographers empowering them with multiple light options, compact-size and portability.
The Canon Speedlite 320EX is scheduled to be delivered to U.S. dealers in April for an estimated retail price of $249.99. The Canon Speedlite 270EX II is scheduled to be delivered to U.S. dealers in the beginning of April for an estimated retail price of $169.99.
Rest of the release HERE